What the work involves
Multimodal models need footage that public video datasets don't cover: a person's hands assembling something on a cluttered kitchen counter, a household object filmed from six angles under uneven light, a task performed correctly and then performed with a deliberate mistake. This role is the supply side of that. You receive a capture brief — subject, camera framing, duration, lighting conditions, number of takes, what must and must not appear in frame — and you produce clips that satisfy it exactly, then upload them with the metadata the brief asks for.
Day to day, that looks like: reading a spec, setting up a phone or webcam on a tripod or improvised mount, doing several takes, reviewing your own footage for blur, clipping, audio problems, or accidental PII (mail, screens, faces of bystanders), naming and tagging files per convention, and submitting. Some campaigns are single-shot and repetitive; others are scripted or multi-step and ask you to narrate what you're doing. Rejected clips usually come back for a specific, fixable reason — wrong aspect ratio, hands leaving frame, background too dark — so the people who do well here are the ones who read the brief closely the first time.
What the platform screens for
micro1's screen is conversational and AI-led. Expect it to check that you actually have a usable capture setup (device, resolution, stable mount, a space you can film in without other people wandering through), that you understand instructions literally rather than approximately, and that you'll flag an ambiguous brief instead of guessing. Reliability and turnaround matter more than production polish — nobody is grading your cinematography. Consent and privacy awareness comes up: you must be the only identifiable person in frame unless the brief says otherwise, and you need to be comfortable with your footage being used as AI training data.
Logistics
- Fully remote, filmed wherever you live; no scheduled calls once onboarded.
- Asynchronous, with per-batch deadlines typically measured in days rather than hours.
- Volume is campaign-driven — some weeks are busy, others quiet. Treat it as supplemental rather than a fixed schedule.
- Pay observed at $13–15/hr, not guaranteed; some campaigns are structured per approved clip instead of hourly.
- You supply your own phone or camera, storage, and internet bandwidth for uploads.