What the work involves

You receive raw footage — talking-head interviews, podcast recordings, founder clips, product walkthroughs — and turn it into finished social assets. Day to day that means building a hook in the first three seconds, cutting dead air, layering B-roll, adding dynamic captions and text animations, and sequencing speed ramps, punch-ins, and zooms so retention holds. Sound design and music selection are part of the deliverable, not an afterthought. Most output is 16:9 for YouTube, X, and LinkedIn; vertical Reels/Shorts/TikTok cuts come up often enough that comfort with both aspect ratios matters.

Work is project-based and contractor-status. You'll take creative direction from micro1's marketing team, work from briefs, and iterate through feedback rounds — which means clean, organized project files and predictable turnaround matter as much as taste.

What the screen looks for

micro1 runs an AI-led interview as its first-pass screen. For this role, expect it to press on:

  • Portfolio provenance — which cuts you personally made, what the raw footage looked like, and what you decided to remove
  • Retention reasoning — why a specific hook or pacing choice worked, ideally with numbers you actually saw
  • Tool depth — real workflow specifics in Premiere, Resolve, or Final Cut, plus any After Effects or motion graphics capability
  • Feedback behavior — how you handle a round of notes you disagree with
  • Throughput — how many finished minutes per week you can realistically deliver

Vague answers about "engaging content" don't survive follow-up questions. Bring specific projects and be ready to describe them shot by shot.

Logistics

Fully remote and asynchronous, structured as contract project work rather than a fixed weekly commitment. Volume fluctuates with campaign cycles, so this suits editors who already carry other clients and can absorb bursts. Pay is undisclosed in the listing; ask about per-video versus hourly structure and revision limits before you commit — those two terms determine your effective rate more than the headline number.