The work
Video annotation is close, repetitive attention paid over long stretches. On a typical shift you open a queue of clips — anywhere from a few seconds to several minutes — and apply the labels a spec calls for: bounding boxes or polygons around objects, action segments with start and end timestamps, event tags, occlusion and truncation flags, and object IDs held consistent across frames so a tracked person or vehicle keeps the same identity when they leave and re-enter the frame.
Most projects run in a browser tool (CVAT, Labelbox, SuperAnnotate, or a client's internal platform). You will spend real time in the guidelines document, because the hard part of this job is rarely the drawing — it is deciding what the spec means when footage is dark, motion-blurred, half-occluded, or shows something the guidelines never anticipated. Strong annotators flag ambiguity instead of guessing silently. Some queues are review rather than annotation: you audit another person's work, accept, correct, or reject with a reason.
What the screen looks for
- Evidence you have done this before. Which tools, which label types, roughly what throughput, and what the QA feedback loop looked like.
- Spec literalism. Interviewers probe whether you follow written rules over instinct, and whether you can restate an edge-case rule accurately.
- Judgment on ambiguity. How you decide between a best-guess label, a flag, and a skip — and how you keep decisions consistent across a long queue.
- Sustained accuracy. Willingness to work under sampled audits and hit an agreement threshold, not just move fast.
Logistics
Fully remote and asynchronous, with deadlines set per batch rather than fixed hours. Observed pay for this listing sits at $10–12/hr; rates and available volume are set by the client project and are not guaranteed. Expect a paid or unpaid qualification task before production work, a reliable computer with a real mouse or trackpad and stable bandwidth for video streaming, and periods where a project pauses between batches.