What the work involves
You listen, compare, and write. A typical session mixes head-to-head ratings — two AI-generated samples against one prompt, judged on musicality, creativity, prompt adherence, vocal quality, and production/mix quality — with detailed annotation of individual tracks against a structured taxonomy: genre and sub-genre, song structure, instrumentation, vocal timbre and delivery. A meaningful share of the work is specifically Russian: judging whether generated lyrics scan, rhyme, stress correctly, and read as something a Russian songwriter would actually write rather than a translation artifact. Written justifications matter as much as the scores; graders want reasoning in audio-engineering and music-theory vocabulary, not "sounds better."
What the screen looks for
Mercor runs a resume review followed by a roughly 25-minute AI-led conversational interview covering your background, production or engineering credits, and motivations. The bar it probes for is craft depth that holds up under follow-up: three or more years as a producer, audio engineer, or mixer; formal music education covering performance and theory; and demonstrable experience writing lyrical music in Russian. Expect to be pushed past the first answer — naming a DAW is not the same as describing how you'd critique a muddy low-mid buildup or an unnatural vocal formant in a generated stem. Native or near-native Russian plus working English comprehension is a hard requirement, since instructions, taxonomies, and rubrics arrive in English.
Logistics
- Fully remote and largely asynchronous; you work through a task queue rather than fixed shifts.
- Part-time, 10+ hours per week, with immediate start and a duration of up to six months.
- Pay is reported in the $34.72–62.49/hr range as observed on the platform; actual rate depends on assessed expertise and project tier and is not guaranteed.
- Good headphones or monitors and a quiet listening environment are practical prerequisites, even where not formally listed.