What the work involves

Contributors record Brazilian Portuguese audio against detailed specifications — scripted read-aloud passages, spontaneous monologues on assigned prompts, conversational turns, and sometimes deliberately noisy or far-field captures. Each batch comes with a spec sheet: sample rate, microphone distance, background noise tolerance, pacing, and whether regional pronunciation should be preserved or neutralized. Beyond recording, most projects include a review layer where you check your own or others' files for clipping, breath noise, mispronunciations, and mismatches between the audio and its transcript.

A typical session runs one to three hours in a quiet room. You will re-record takes that fail automated QC, annotate metadata (speaker age band, region of origin, accent notes), and occasionally write or adapt prompt scripts so they sound like something a Brazilian speaker would actually say rather than a translation from English.

What the platform screens for

  • Native or near-native Brazilian Portuguese, with the ability to describe your regional accent precisely (paulista, carioca, mineiro, nordestino, gaúcho, etc.).
  • Audio hygiene: a quiet recording space, a usable USB or XLR microphone, and familiarity with basic terms like sample rate, bit depth, gain staging, and clipping.
  • Instruction fidelity — screens often include a short recorded sample judged against a spec, so reading the brief carefully matters more than vocal talent.
  • Consistency across sessions, since datasets break when a speaker's setup or distance changes mid-project.

Logistics

Fully remote and asynchronous; batches are claimed from a queue with deadlines usually measured in days, not hours. Most contributors work 5–20 hours per week. Pay bands are as observed on the platform and vary by task complexity, turnaround, and whether review work is included — they are not guaranteed. Equipment is generally your own; some projects reimburse or ship a headset for consistency.