What the work involves

You receive batches of recording tasks through micro1's contributor portal: prompts to read aloud, conversational scenarios to improvise, or short passages to deliver in a specified tone. Most sessions run 20–60 minutes and are recorded on your own equipment in a quiet room. Some batches call for clean studio-like reads; others deliberately ask for natural, unpolished speech — hesitations, self-corrections, background typing — because that is what real-world speech models have to handle.

After recording, you self-review each clip against the spec: correct file naming, no clipping, no reverb, no off-script deviations, and the prompt actually spoken as written. Rejected clips are usually rejected for room echo, inconsistent mic distance, or reading a word the script didn't contain. Contributors who develop a reliable setup and a consistent check routine get invited to higher-rate batches.

What the platform screens for

  • Native or near-native European Spanish. Peninsular pronunciation and vocabulary specifically — Latin American variants are recruited under separate quests.
  • A usable recording environment. A quiet, non-reverberant room and a decent USB or XLR microphone matter more than an expensive one.
  • Instruction fidelity. Screens include reading a short spec and demonstrating you followed it exactly, including edge cases like numbers, abbreviations, and proper nouns.
  • Basic audio hygiene. Knowing what clipping and background hum sound like, and being able to re-record rather than submit borderline files.

Logistics

Fully remote and asynchronous. Work arrives in batches with deadlines measured in days, not hours, so you choose your own hours — though batches can close early once collection quotas fill. Expect an initial sample submission and equipment check before paid work begins. Volume is variable by nature: some weeks bring several hours of tasks, others none.